Some songs possess the rare ability to define eras, renowned for their infectious beats, experimental sounds, soulful lyrics and enduring appeal, earning them the status of true classics. In collaboration with Tres Generaciones Tequila, a brand that champions the journey and not just the destination, we continue our exploration to gather the top Get Up anthems over the next year from six iconic cities: Houston, Atlanta, New York, Chicago, Los Angeles and Miami. Guided by curated panels, we dive deep into each city's living sonic history, highlighting tracks that embody resilience, authenticity and innovation, while celebrating music's power to inspire listeners to rise and pursue their passions.
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Miami's music scene is a melting pot of cultures, defined by the throbbing rhythms of Latin music and the bass-heavy swagger of Southern hip-hop, creating a soundtrack for dreamers, partiers and innovators, blending genres in ways that only this city can. can .
The Top 10 Get Up Anthems from Miami were created through a blend of editorial expertise, data-driven analysis, social impact and personal emotion to create a ranked list of songs that have inspired, charmed and energized the Magic City. Spanning decades from 1979 to today, Miami's playlist [click HERE to play] features tracks representing the city's rich cultural history and unique sound, hand-picked by local icons Trina and DJ Alex Sensation, Billboard editors Heran Mamo and Jessica Roiz, and moderated by Rocsi Diaz.
Did they get it right? Or was it off target?
Check out the top 10 Get Up anthems from Miami:
A tie at No. 10
10. “Get Low” – Flo Rida (2008)
Flo Rida's 'Get Low' (2008), produced by DJ Montay, is a dancefloor juggernaut that captures Miami's intense nightlife. The bouncing 808s and repeating hooks make it impossible not to move. Peaking at #6 on the Billboard Hot 100, the track established Flo Rida as a Miami club staple and a global hit maker.
10. “Act Up” – City Girls (2019)
Produced by Earl on the Beat, “Act Up” (2019) is a sassy, bass-heavy anthem that put City Girls—and Miami's new generation of female rappers—on the map. The track's infectious beat and bold lyrics became a viral sensation, peaking at #26 on the Billboard Hot 100. Its success underscores Miami's evolving hip-hop scene, where women are unapologetically taking center stage.
A tie at No. 9
9. “Shake Whatcha Mama Gave Ya” – JT Money & Poison Clan (1992)
JT Money's “Shake Whatcha Mama Gave Ya” (1992) is a Miami bass classic that exudes the city's irresistible party culture. Produced by Mike “Fresh” McCray, the track is an impressive celebration of twerking and Southern swagger. Its local success in Miami cemented Poison Clan's place in the Miami hip-hop canon, where bass-heavy anthems dominated the club scene.
9. “Esa Morena” – DJ Laz (1998)
DJ Laz's 'Esa Morena' (1998) is a Miami freestyle and reggaeton fusion that became a club favorite in South Florida. With its infectious beat and bilingual appeal, the track reflects Miami's multicultural identity. DJ Laz's production combines the melodic charm of freestyle with the rhythmic punch of reggaeton, making it a timeless Miami anthem.
8. “Bailando” – Gente de Zona feat. Enrique Iglesias (2014)
Produced by Carlos Paucar, “Bailando” (2014) is a Latin pop juggernaut that brought Miami's vibrant Latin scene to a global audience. The song, with its flamenco-inspired guitars, reggaeton beats and infectious hook, topped the Billboard Hot Latin Songs chart for 41 weeks and peaked at #12 on the Hot 100. A collaboration between Cuban and Spanish artists, it reflects Miami's role as a cultural melting pot and remains a celebration of the city's dance energy.
7. “Hustlin” – Rick Ross (2006)
Rick Ross' “Hustlin'” (2006), produced by The Runners, is a gritty ode to Miami's hustle-and-grind mentality. The track's hypnotic piano riff and pounding bass line became instantly iconic, and 'Every day I'm Hustlin' is a cultural mantra. Reaching #54 on the Billboard Hot 100, “Hustlin” announced Ross as a major player in the rap game and painted Miami as a city of relentless ambition. His impact on local culture and music is profound, with Ross becoming one of Miami's most famous hip-hop figures.
6. “Culo” – Pitbull & Lil Jon (2004)
Pitbull's hit “Culo” (2004), produced by Lil Jon, introduced Miami's bilingual party culture to the world. Sampling Mr. Vegas' “Pull Up,” the track is a sweaty, high-energy blend of reggaeton and crank that has become a dancefloor staple. It peaked at #32 on Billboard's Hot Rap Songs chart and announced Pitbull as Miami's charismatic ambassador. “Culo” encapsulates the city's unique ability to fuse Latin beats with Southern hip-hop, creating a global sound that remains quintessentially Miami.
5. “I Wanna Rock” – Uncle Luke (1992)
A bass-driven masterpiece, Uncle Luke's “I Wanna Rock” (1992) is a Miami bass classic that helped define the city's unique hip-hop sound. Produced by Luke himself, the track is built around infectious call-and-response vocals, high-speed hi-hats and a throbbing 808 bassline that rattles the trunks of South Florida. Although it didn't chart nationally, its local success cemented Uncle Luke's status as a pioneer of Miami bass and a champion of free expression in music. The song's legacy lives on in Miami's clubs and block parties, where its raw energy continues to ignite dance floors.
4. “All I Do Is Win” – DJ Khaled ft. Ludacris, T-Pain, Snoop Dogg, Rick Ross (2010)
Produced by DJ Nasty and LVM, “All I Do Is Win” (2010) is a winning anthem that embodies Miami ambition. Featuring a star-studded line-up, the track's triumphant horns, pounding bass and T-Pain's iconic hook make it an unstoppable scream of success. It peaked at #24 on the Billboard Hot 100 and was certified 8x Platinum, making it a ubiquitous sports anthem and staple at Miami Heat games. Khaled's ability to unite heavyweight artists reflects Miami's collaborative and celebratory nature, further cementing the city as a hotspot for hip-hop innovation.
3. “Da Baddest B**” / “Pull Over” – Trina (2000/2001)**
Trina's 'Da Baddest B***'* (2000) and 'Pull Over' (2001) are unflinching statements about female empowerment, sexual agency and the misery of Miami. Both tracks, produced by Derrick “Bigg D” Baker, epitomize Miami's bountiful rap scene. “Da Baddest B***”* set the tone for Trina's career as the elusive queen of southern hip-hop, while “Pull Over” delivered a twerk-ready anthem fueled by 808s and provocative lyricism. Neither song dominated the Billboard charts, but their influence on the Miami club scene and their role in cementing Miami as a hub for raw, female-driven rap is undeniable. These tracks remain staples of Miami nightlife and a testament to Trina's enduring legacy.
2. “Conga” – Gloria Estefan & Miami Sound Machine (1985)
The 1985 hit “Conga,” produced by Emilio Estefan Jr., is a pulsating anthem that put the Miami Sound Machine—and by extension, Miami—on the world music map. With its explosive mix of Afro-Cuban percussion, horns and pop melodies, the song became a universal dancefloor favourite. The relentless energy of his production mirrors Miami's vibrant nightlife, where Latin beats dominate. “Conga” peaked at #10 on the Billboard Hot 100, a breakthrough for a Latin song in the mid-'80s, and established Gloria Estefan as an ambassador for Latin pop. His legacy remains deeply rooted in Miami, where he is celebrated as an unofficial anthem of the city's multicultural identity.
1. “La Negra Tiene Tumbao” – Celia Cruz (2001)
Produced by Sergio George, “La Negra Tiene Tumbao” is a fiery testament to Celia Cruz's indomitable spirit and her lasting impact on Latin music. Released in 2001, this salsa-infused anthem combines Afro-Cuban rhythms with elements of reggaeton and hip-hop, making it a groundbreaking track for its time. The song's message of confidence and individuality resonated worldwide, and its live music video showcased Cruise's iconic swagger. Although it didn't make the Billboard Hot 100, it topped the Tropical Songs chart and became a Miami favorite, paying homage to the city's deep ties to Cuban culture. The song's production features sharp brass, syncopated beats and a driving tumbao beat, incorporating Celia's timeless energy and salsa dancefloor appeal.
